19 Jun 202619 Jun 2026 jaymichaelsae

“Journey through a courtship and marriage, in 30 minutes or less” — a review of ACROSS A CROWDED ROOM at the MITF by Michael DiSchiavi

18 Jun 2026 jaymichaelsae

THE GEN Z “WAITING FOR GODOT” HAS ARRIVED: DIAMOND MESH INC. UNVEILS THE ABSURDIST ROMP “PISS.JPG”

2 Jun 2026 jaymichaelsae

AMERICAN THEATRE OF ACTORS PRESENTS A COMPELLING DOUBLE BILLBY FRANK COSSA

26 May 202626 May 2026 jaymichaelsae

THE CONFIDENT ART OF BAD DECISIONS: ANNE MCDERMOTT BRINGS ‘HOW TO SWALLOW A VOLCANO’ TO THE HISTORIC MITF RELAUNCH

20 May 2026 jaymichaelsae

Hedda Gabler at Modern Classics: a review by John Torres

15 May 2026 jaymichaelsae

Independent Theater Legend Reginald T. Jackson’s “Crabs in a Barrel”a Featured Production of theReborn Midtown International Theatre FestivalPEN America Grant Recipient and Rainbow Repertory Founder Brings a Modern-Day Love Triangle of Secrets and Crime to the Historic 2026 Season

6 Apr 2026 jaymichaelsae

Modern Classics Theatre Company of Long Island Brings Ibsen’s Masterpiece, Hedda Gabler, to the BACCA Arts Center

23 Feb 2026 jaymichaelsae

Embracing the Unexpected: Flipping the Script Productions Brings Broadway Brilliance to Baltimore

6 Feb 20266 Feb 2026 jaymichaelsae

Review by Tammy Green: Agatha Christie’s AND THEN THERE WERE NONE at South Shore Theatre

6 Feb 2026 jaymichaelsae

The Matriarch of a Broken House: Tonia E. Anderson on the Grief and Guts of Richard III